Wednesday, September 11, 2024

Well, it's all right, even if the sun don't shine, because my beloved comrade, Chuckles, is riding his bed while going to the end of the line

 

Jerry "Chuckles News Brother" is doing all right as he sleeps all day in his home that is carrying him toward the end of the line.

I've emotionally missed my weekly/twice-weekly visits to see Jerry during the nine months he lived in a room with Milford/Bob in the Memory Care Ward a few miles from my humble home and office (AKA "Da Basement”).

I’ve even had to explain to my friend, Quincy, the Shell Station manager, that he no longer needs to stock the Diet SunDrop. He had special ordered it for me so, during the nine months I visited Jerry in the cuckoo’s nest, I had his favorite beverage – and some peanut butter crackers or somesuch – to give him a break from cranberry juice and institutional slop.

When Quincy ran out of Diet SunDrop, he suggested some of his vintage Diet Mountain Dew for Jerry. He liked the change. Me, I wouldn’t ever buy any of that swill for old Flapjacks. A guy has to be fucking nuts to like that stuff.

Quincy asked if my friend in the nursing home is dead. “No,” I said. “He’s only sleeping,” but not in the nursing home.

“Good. Those damn places are worse than prisons,” Quincy said. I do continue my long-standing tradition of topping off the gas tank on the 1985 Saab at Pump No. 8, and I continue to get pissed if someone, especially anyone with Alabama plates, blocks my pump.

I say “Alabama” plates, but they could be from any state or country, even my neighborhood. I am an intense creature of habit.  Don’t fuck with my pump.

I don’t go into details with Quincy, but Jerry was evicted from the nursing home for uncommon violent behavior: At least twice, he got mad at Bob, who was sitting in Jerry's chair, and he picked him up and threw him to the floor. That is one of the sad results of dementia or Alzheimer's.

Milford/Bob probably misses me, too, since for some reason I could speak his garbled language and make him laugh. Seventy-five pounds, dripping wet, I’ll bet 250-plus-pound Jerry had little trouble doing one of those big-time wrestling body slams or pile-drivers with the little guy.

Actually, it was not that violent, apparently. Milford/Bob wasn’t hurt. But he was frightened as he looked up at the fat guy in the reclining chair where he’d been sitting up until then.

Jerry had nowhere to go but home after they threw his fat ass to the curb (he had similar treatment 14 years ago at The Tennessean.)

 So his nephew, Steven, took custody of him and hauled him to the house Chuckles owns halfway between the edge of nowhere and a pile of dead cows and a slave cemetery, in too-rural Tennessee. I would not go out there unless I had a white sheet in the back seat, so I could blend in with the citizenry.  Actually, I made that part up, and I will, perhaps, drop in and see him sometime. I’ll need my Dad’s WWII MP’s billy club handy, though.  

Even if I wanted to go, I’d have to ask for directions, and I’m not sure Jerry knows where he is or who he is.

The first thing he’ll ask me is where I been. And I don’t know. Haven’t for a long time.

 Steven, had been living in the house with Uncle Chuckles for years prior to his lockup in the looney bin, and he voluntarily decided to turn his life upside down by taking Jerry back home and caring for him. He was the only family member willing to make that commitment.

"It's been better than I thought it would be," said Chef Steven this morning, September 11, 2024, when I called him at the restaurant where he works.

"So far, he just sleeps all day," said Steven, who rousts old Chuck when he gets home from work, when they eat and watch movies together until bedtime.  They used to enjoy beer, whiskey and more, but I promise, after being around him for most of a year, such activity would find him face down on the floor.  And I’ll bet Steven can’t pick him up.

Steven does worry what will happen if Jerry ever decides to escape his snug bed during the daytime and wander out into the living room, wondering "Where I been?"

"I may have to get someone to come in during the days, then," said Steven, adding that if necessary, he'll quit his job to care for his uncle.

That's a pretty big burden for a younger man to bear, but he loves his uncle and does not want him back in the looney bin. Manley blood apparently carries with it large responsibilities down there in too-rural southern Tennessee or wherever the hell the shack is.

Jerry used to have a dog down there, with Steven. “His name was ‘Snow’ or ‘Frosty’ or ‘Snowy’ or something like that,” Jerry used to guess. “I can’t remember. White dog. Nice dog.” I hope the dog is still there to provide company if Jerry ever gets out of bed in the daytime.

By the way, I'm sure Milford/Bob, who I miss since my visits to the nursing home have ended, is glad Jerry's gone, too. Now he’s got two chairs he can pee himself on, while riding and clicking his false teeth, remembering his days as a ribbon-winning horseman.  Those ribbons decorated the walls.  There was plenty of room for Jerry to add his own decorations, but he never could remember what was important to him. Believe me, I asked.

Jerry is shown in a photo here riding on a Clarksville Fire Department truck to the world premiere of "Flapjacks: The Motion Picture" on November 12, 1982.

Rob Dollar -- aka "Death News Brother" -- and I had arranged for our arrival on the fire truck, since the Firemen's Christmas Toy Drive was among the beneficiaries of the less than $3,703 we raised for charity during our all-night showing of the movie at The Roxy. We also saved The Roxy, but that’s another story.

Rob and I also gave money to the Police Department Widows and Children's fund. The police participated in our Bullitt-like chase up and down the hills of the Queen City and they also "arrested us" at the end of the premiere to make sure all of the money got out to safety -- they kept it at the Clarksville Police HQ until the next day.

There also is a part in the movie where police, unaware that we were just making a movie,  pulled us over, stole our props and beat the shit out of us. “You don’t do things like that in Clarksville, boys,” they screamed as their billy clubs made Jerry cry.  Well, the beating part is untrue. Jerry’s crying has more truth, since we were riding in the back of his old, orange Datsun mini-pickup when the sirens and blue lights came at us.  And the thunder rolled.

The final beneficiary of our charity film showing was The Mustard Seed, a Goodwill-type food and clothing agency that was on Third Street, across from the Courthouse. It also is where we bought all of our costumes during the film shoot that lasted a few months of Saturday early mornings.

Of course, I remain "Flapjacks," the title character of our little character study. Jim Lindgren ("Flash") was the fourth primary News Brother, and he's in Sweden today. It is a family ancestry hunt, as Flash, like so many of us wonders where he been.

I think of Jerry often. I miss him, even being with him while he made little sense and had no clue as to whether it was day or night or where he been for months.

I love the guy. And, now that it’s been a month since he was thrown out of the nursing home for unseemly behavior, I really do wonder if he remembers I was with him all of those mornings. And the fact it doesn't matter to anyone but me. Does he even remember who I am? (At least I do, and I'm a pretty decent guy, most times.)

“Maybe somewhere down the road aways, he’ll think of me and wonder where I am these days.  Maybe somewhere down the road when somebody plays Purple Haze.”

That’s not my quote. It’s from The Traveling Wilburys. I thought of it while I was writing this little tale today and pondering Jerry’s life and future. My own, for that matter.

The name of the song is “End of The Line.” I play it every day.  Just in case.

 

 

Tuesday, September 10, 2024

James Earl Jones' death sparks memories of the night a Black Panther stomped my foot in a theater filled with his comrades as Irish priest laughs


 The clumsy Black Panther, in full regalia, accidentally stomped on my foot in the front row of the theater balcony. 

I was the one who apologized. And an Irish priest laughed at me, as we surveyed both levels of the theater, filled with Panthers in full uniforms and the White priest who was their spiritual adviser.

 Of course, there were those three White kids who had somehow crashed their obvious Black Panther New Year's Eve celebration, thanks to a car malfunction. We were already in our seats when the Panthers marched into the theater, in formation, most smiling, looking forward to the film. I can't claim a lack of apprehension.

That event was part of the first thought, a memory, really, that came to me when I heard that James Earl Jones had died. I've told the story before, and sometimes, as life's haze comes and goes, it varies. But it is very true, regardless.

It was New Year's Eve in 1970, when we had a bit of car trouble just south of the Loop in downtown Chicago.

My brother, Eric, our friend Gene Chapman, and I were going downtown to take part in the State-Lake celebration welcoming 1971, when something went wrong with the faded-bronze Mustang with the cheap sparkling wine on ice in the trunk.

Looking for help, we lurched south on State Street, getting into an increasingly sketchy section of town, when we finally spotted a Shell station -- back then there were mechanics, with full-scale bays and lifts at every gas station. This was long before corporations decided it would be cheaper for them if we'd pump our own gas.

A couple of mechanics took a quick look at the car. Nothing serious, we were told, but it would be a couple of hours. So we decided to leave the car and go catch a movie while it was repaired. The closest theater, I can't remember the name, was playing "The Great White Hope," the fictionalized account of the struggles and triumphs of great boxing champ Jack Johnson.

The movie house was just a couple blocks .. or maybe a dozen ... toward downtown.

We'd been wanting to see the movie, as I was a great boxing and social justice "fan" (probably not the right word, but this is one-take writing), so Muhammad Ali was one of my heroes. There were slight parallels between my favorite boxer and James Earl Jones' character, Jack Jefferson. And the play that begat the movie was loosely based on the life of great and controversial boxing legend, Jack Johnson.

It was the perfect tale for the Muhammad Ali era.

This night south of the Loop, as we stepped cautiously through territory where we were unfamiliar and obviously alien, came three years after Ali was stripped of his championship title for refusing to be drafted. "Why should they ask me to put on a uniform and go 10 thousand miles from home and drop bombs and bullets on brown people in Vietnam while so-called Negro people in Louisville (his hometown) are treated like dogs and denied simple human rights?" he asked. He lost peak fighting years before Americans, Black and White, and most -- even veterans -- realized stripping a guy of his title doesn't mean war is over (if you want it). The penalty was unjust.

I spent time with Ali on three different occasions over the years, one of the fortunes of being a newspaperman, back when newspapers existed.

But this little, top-of-my head, one-take anecdote sparked by the death of a great actor isn't about Muhammad Ali.

It's about James Earl Jones who died September 9, 2024, and the night a half-century-plus before when he became one of my favorite actors, even though I was in a room filled with Black Panthers, one of whom had accidentally crushed my right toe with his combat boots.

Jones' Jack Jefferson was, as noted, based on the tale of Jack Johnson, the incredible Black prizefighter in the early quarter of the last century. The first Black heavyweight champion, he was an empowering symbol of freedom shoved in Jim Crow's face. Promoters searched high and low for someone to beat him in the ring. Not just any someone, but a White guy. .. "The Great White Hope" of the title.

James J. Jeffries, a former and very White champ, was lured by society and racist sportswriters to come out of retirement to be that hope. He threw in the towel in the 15th round. The controversial Black guy won. Violence erupted among the races, in celebration and in denial.

It was hubris, his flaunting his love of White women and the Mann Act that eventually did Jack Johnson/Jack Jefferson in. I'm not going to go into details, as you should read about Johnson yourselves or at least see James Earl Jones portray that towering and glowering and flamboyant and violent figure in the fictionalized account.

The film scored poorly at the box office and received less-than-lukewarm reviews. But I found it amazing when I watched it on that New Year's Eve with hundreds of Black Panthers, including the one who stomped on my foot to set the tone for the night.

The celluloid tale of a Black man dictating his own course, generally unbowed by Jim Crow, probably wasn't really successful because a lot of White people had yet to come to terms with Muhammad Ali and we still were far from a nation of equality. Are we there now? You decide. The almost universal love for Ali is perhaps an indicator. And so are the colors of skin in pop culture, network news and in politics.

I don't know the sociological answers nor claim any Carnak the Magnificent insight.

I'm talking, after all, about a movie. And a dead actor.

Yes, it was a controversial movie, and I didn't like being stomped by the Black Panther.

But the film pretty much launched James Earl Jones to the point where his death leads the network news. Of course, it's not just his acting. His voice, that of Darth Vader, Alex Haley and Mufassa in "The Lion King," also contributed to the love of this actor. And, of course, there was his dignity that truly was the best part of "Field of Dreams."

Who has been untouched by his portrayal of a blind former ballplayer in "The Sandlot?"

He was a Black face who helped Slim Pickens end the world in "Dr. Strangelove."

Back to "The Great White Hope" 54 years ago, as seen in a theater filled with uniformed Black Panthers and one Irish priest and three young, White guys. 

It was a tale of discrimination and of Black empowerment, all wrapped up in fight scenes and love scenes and hate scenes.

I can't remember the name of the theater. And while I cheered for the Jones character for real, I likely would have at least feigned support for him as I sat in the middle of this well-dressed army.

I remember how moved I was by the performance. I remember ambiguous feelings toward the massive Black fighter and how the movie ended. That's as it should be, by the way.

I've seen "The Great White Hope'' a few times since, and I love James Earl Jones' Hollywood breakthrough performance. I'll always look forward to hearing his voice and seeing his majestic screen presence as long as movies exist.

But when he died, I thought not about Mufasa or Vader, but about my seat in the front of the balcony, and the Panther who accidentally stomped on my foot as he went for popcorn.

"Excuse me," I said. "I'm sorry."

The Panther smiled, knowing that I was not the one to apologize, but I'm sure knowing why I did.

The Irish priest slapped me on the knee and laughed.

The big Black Panther returned with his popcorn and took great care not to stomp on my foot.

"I'm sorry," he said. "Don't want to step on you again."