My heart was thumping mightily as I sat in the
darkened auditorium, the strains of that oh, so familiar tune quickening my
pulse.
Moments before, I had been cheering, stamping, applauding
as the greatest of the good guys eliminated another evil threat in the old
West.
The hero on the screen raced off on his white horse,
his faithful Indian sidekick riding beside him on a pinto. The crescendoing
trumpets blared as “The End” flashed on the screen.
The houselights came up in the auditorium of the
Convention Center at Hopkinsville ’s
Western Kentucky Fairgrounds. Within minutes, the crowd was on its feet, as a
familiar figure in white hat, blue cowboy suit, red bandana and sunglasses
edged his way through the throng.
I looked at my friend, Rob Dollar, a staff writer
for The Leaf-Chronicle, and asked.
“Who is that sunglassed man?”
“Why, don’t you know?” he said, a gleam in his eyes.
“That’s The Lone Ranger.”
Clayton Moore, 68, wears sunglasses now instead of a
mask. That’s because of legal hassles that came up when a movie, “The Legend of
The Lone Ranger” was made a couple of years ago.
“They said I was too fat and too old to be The Lone
Ranger,” said Moore .
“I’ll get my mask back.”
Others have played the part, but to those of us who
grew up in the early days of television, Clayton Moore is The Lone Ranger.
Rob and I weren’t the only adults at Saturday’s
grand opening extravaganza sponsored by Chaney & Chaney Insurance Corp.
There were plenty of youngsters, who have witnessed
the exploits of the masked man in reruns.
But there also were plenty of what Moore called “big guys” in the crowd, those
of us in our late-20s and early-30s who grew up with The Lone Ranger. That
group included me, Rob, my brother, Eric, and WJZM Radio News Director Scott
Shelton.
We all had cheered as the masked man defeated
Western villains on the old flickering RCA, back when the dog was still
listening to the master’s voice on the RCA trademark.
And we all cheered anew as Moore carried us back to those thrilling days
of yesteryear.
We were easily primed for our excitement. Prior to Moore ’s appearance, we
watched “The Lone Ranger,” the first of two feature films Moore and Jay
Silverheels (Tonto) made. That film was made in 1955. They made 169 television
episodes.
The session was laced with The Lone Ranger’s
straight-shooting philosophy. Some might say the mom and apple pie voicings are
corny.
I disagree. As Moore
said, “The Lone Ranger always speaks the truth!”
His voice cracked when he spoke of Silverheels’
death three years ago. “He’ll live throughout eternity. Scout, Tonto, Silver
and I will keep riding forever.”
In a brief photo and interview session afterward, Moore broke more sad news
to us: the white horse he posed with at the fairgrounds was a “loaner.” The
real Silver died in 1972 at the age of 33.
Feeling uncomfortable calling him “Mr. Moore,” we
addressed him as “Lone Ranger.” He didn’t mind. That’s who he is, after all.
Before he left, Moore autographed a black costume mask I
pulled from my pocket. He may not be able to wear a mask, but to me he will
always be the masked man. That mask will hang on my wall forever.
The sunglassed man climbed into a black luxury car
and sped away.
“Hi-yo, Silver, away!” I yelled after him. He smiled
and waved back.
As the snowflakes pelted us in the empty parking
lot, Dollar turned to me and asked:
“Who was that masked man?”
“Why don’t you know,” I said. “That’s The Lone
Ranger.”
There were no silver bullets. Tonto and Silver are
dead.
But, The Lone Ranger rides again.
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